The Power Of The Elf King - 2465 Words

The Power of the Elf King Franz Schubert (1797-1828) was not a particularly well-known composer during his lifetime, however, that did not stop him from leaving his mark on the musical world. He radically redefined the role of composers in German lieder. Unlike his predecessors, Schubert believed that part of a composer’s job was to help the listener interpret the poem. He believed that part of his responsibility was to write the melody and the accompaniment in a way that helped to clarify the meaning of the poem and bring it to life for the listener. That being said, Schubert did not completely discard the work of others before him. Instead, he built on the foundation that they had laid, reflecting the work of previous composers in his music without limiting himself to simple imitation of their ideas. He expanded on their ideas and used them as a platform to express himself in new and distinct ways that were unfamiliar to the music world. His innovations inspired those who came after him not only in German lied but also in other song genres. One particular example of his ability can be seen in both the vocal lines as well as the accompaniment in his song cycle, Die Schà ¶ne Mà ¼llerin. Franz Schubert was born to Franz Theodor Schubert and Elisabeth Vietz in Vienna, Austria. His father was a schoolmaster who acquired an old school house called â€Å"Zum schwarzen Rà ¶ssel,† which doubled as a house for the family. At the age of six, Franz Schubert began attending hisShow MoreRelatedCriticisms and Praise for The Hobbit: The Desolation of Smaug654 Words   |  3 PagesMirkwood elves is a familiar face from the Lord of The Rings trilogy, Legolas and a new face Tauriel a female elf who is captain of the guard. Bilbo, however, is not captured because he is wearing a ring of power which allows him to be invisible. The dwarves are imprisoned by the elven king Thranduil. 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